GRISEY PROLOGUE PDF

Tags: Gerard Grisey , Prologue Gerard Grisey said in an interview: We are musicians and our model is sound not literature, sound not mathematics, sound not theatre, visual arts, quantum physics, geology, astrology or acupuncture Grisey as said to be a founder of the genre of Spectral Music, where compositional decisions are often informed by the analysis of sound spectra. I believe this particular work does this extremely well, as you can almost physically feel the music building throughout, with the opening being rather melodic, and at From about that point, the music becomes less melodic and more aesthetic, giving an atmospheric idea as opposed to a melodic idea. The opening few phrases are very melodic, each phrase bookended by two accented B notes.

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Tags: Gerard Grisey , Prologue Gerard Grisey said in an interview: We are musicians and our model is sound not literature, sound not mathematics, sound not theatre, visual arts, quantum physics, geology, astrology or acupuncture Grisey as said to be a founder of the genre of Spectral Music, where compositional decisions are often informed by the analysis of sound spectra.

I believe this particular work does this extremely well, as you can almost physically feel the music building throughout, with the opening being rather melodic, and at From about that point, the music becomes less melodic and more aesthetic, giving an atmospheric idea as opposed to a melodic idea.

The opening few phrases are very melodic, each phrase bookended by two accented B notes. This motif carries on throughout the work, with the phrases changing in length and becoming less predictable for the listener.

However it this unpredictability that allows the listener to sit and listen to the work in its entirety approx. But then… it just… ends. Just like any other phrase in this work, it ends. It took me about 15 seconds to realise that the work had ended. I thoroughly enjoyed listening to this work, as its origin and concept is very different to anything I would normally listen to.

It would have been nice to see the score, or whatever was used to construct the piece, but I believe I still got plenty out of it by just listening.

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Gérard Grisey

Grobar Though useful as methods of working, such speculations still fall far short of sound as it is perceived. Cancel Forgot your password? See what you will get. Please enter your name. Follow us on Twitter.

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Vulkis Prologue goes further than these compositions: By the time all of these effects have fully taken hold, the piece has turned from a series of slow, oscillating figures with distinct pitches to a series of rapid sul ponticello downward glissandi, culminating in a violent scratch-tone double-stop attack, which then fades to near silence pppp. I thoroughly enjoyed listening to this work, as its origin and concept is very different to anything I would normally listen to. Performance Then I finally decided to compose a complete cycle, starting with vrisey piece for a solo instrument and ending with a large orchestra. And, this leaves us here. Transitoiresfor large orchestra 6. But it is one which, I firmly believe, will be realized.

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