Yokasa The single most important thing someone can learn by going to school is how to continue teaching themselves for the rest of their lives. I would love to go out on tour again, preferably with someone I really like. I would do these piano festivals and recitals and I just remember being so nervous. At this point you can have a finished tune or complete CD and never use a single musician for anything. Currently, he continues recording and performing with many artists in the U. Zlap email address will not be published.
|Published (Last):||13 November 2011|
|PDF File Size:||5.10 Mb|
|ePub File Size:||20.98 Mb|
|Price:||Free* [*Free Regsitration Required]|
Yokasa The single most important thing someone can learn by going to school is how to continue teaching themselves for the rest of their lives. I would love to go out on tour again, preferably with someone I really like.
I would do these piano festivals and recitals and I just remember being so nervous. At this point you can have a finished tune or complete CD and never use a single musician for anything. Currently, he continues recording and performing with many artists in the U. Zlap email address will not be published. Working at MI is only part of my musical life, as it should be. From there we started playing real gigs th that finally led to me moving to Los Angeles, going to BIT and getting more and more serious about becoming a musician and trying to do it for a living.
For me it was all about seriously studying music and trying to play all the time. I was probably as good a sight-reader at the age of 15 as Orogram am now! What kind of aspirations do most of your incoming bass students have? David got my name from someone and we set out to make a real instructional video and not just an expensive business card.
The reason I started playing bass was a combination of my normal personality which was to NOT be the front person in any way and hearing Paul McCartney and Leland Sklar. Also see our exclusive FBPO interviews with the following bass players, all of alexiz are mentioned here: How do you help your students find that balance between cultivating their musical artistry on the one hand, while preparing them to make an actual living in the music industry on the other?
The Complete Guide and has done bass clinics throughout Japan and Europe. Leave a Reply Cancel reply Your email address will not be published. I have never stopped playing out and doing gigs, sessions and whatever else comes along.
Learn more of the software I have on my computer. New Interview Dec 25 Geddy Lee. I also think it validates you as an educator since students te listen when they know you have professional experience. Of course there were lots of close-ups. Those first chords were just spine-tingling…wow…here I am doing this tune which, up until then, I had only listened to on the album. Previous Interview Dec 17 Reid Anderson. By playing and working as a musician you bring a much more realistic and believable perspective to teaching.
Actually, it was a mega-popular videotape even before the prevalence of DVDs! They skarevski sessions, gigs, tours…whatever.
I actually started out on piano when I was 5 or 6 years old and continued until I was 15 or so. I worked through a pretty decent repertoire of classical music and I could play some Beethoven, Bach, Chopin waltzes…that sort progrm stuff. I was very lucky that I worked with David Schaub who was the producer and real brains behind that particular project.
How could I say no to that?! There are still a few people I would do something like that with if they wanted to: At the same time, I was in school and all my friends were getting into rock and jazz by playing guitar and drums. What kinds of things do you like to do that are not necessarily musically oriented? I never took any bass lessons, so I spent quite a bit of time practicing in the basement. What can a student expect to get out of the training there?
People are still watching it and buying it. The best thing was that I learned how to read music at the same time I learned to read words. I could have never done it on my own. I got David involved in that because I knew he would do a great job. It still is in a lot of ways. I like a good tune. All the bass instructors at MI are working, professional musicians who do a lot of very cool stuff with a great range of artists. You must have an good story or two you can share. At one point I stood right beside him and duck-walked for about three steps…I made him laugh.
That was really me creating a project where I would get to work with a long-time hero of mine. The Beatles and James Taylor…that was it for me. TOP 10 Related.
Alexis Sklarevski - The Slap Bass Program
ALEXIS SKLAREVSKI THE SLAP BASS PROGRAM PDF
ALEXIS SKLAREVSKI THE SLAP BASS PROGRAM PDF
The Slap Bass Program